Forget Madonna and Logic — here’s where the VMAs made a statement

21 AUG 18 16:46 ET

    (CNN) — The statement was subtle but the point was poignant. There was Willy William, a French-born child of Mauritian immigrants, accepting the MTV Video Music Award on Monday night for Best Latin Video, for the worldwide hit “Mi Gente” — and using the moment to celebrate his country’s World Cup victory in July.

William accepted the award on behalf J. Balvin, with whom he collaborated on “Mi Gente,” the latter’s remix of William’s single “Voodoo Song.” In his acceptance of the award, William apologized for his poor grasp of English but was pretty clear in announcing his pride in his French heritage and France’s Cup victory.

Why was this an important moment?

Because with 15 players with African roots on France’s 23-man soccer team earlier this summer, people of African descent from all around the globe took a degree of pride in the country’s second World Cup victory. In fact, one such person — The Daily Show host Trevor Noah — found himself in a bit of a beef with Gérard Araud, the French ambassador to the United States, over the amount of Africa in France’s victory.

Noah, who is from South Africa, jokingly said it was a win for the Motherland.

Araud seriously disagreed.

“By calling them an African team, it seems you are denying their Frenchness,” Araud wrote in a response he posted to Twitter in July. “This, even in jest, legitimizes the ideology which claims whiteness as the only definition of being French.”

The exchange sparked a trans-Atlantic discussion about immigration and anti-immigrant hatred at a time when many around the world have been focusing on the issue as an American problem. It shed light on the parts of France’s population that are anti-immigrant and anti-Muslim, as well as reminded observers of the country’s long, documented history of colonization. That same light reflected back on the United States and illuminated an important and broader context for its growing anti-immigrant sentiment, its halting and incomplete efforts to deal with its own history of racism.

And in the wake of that summer debate came Willy William — whose song was remixed by Colombian artist J. Balvin and retitled “Mi Gente,” then remixed again with Beyoncé on vocals — using perhaps the biggest moment of his musical career to date to announce his citizenship.

For those unaware of the larger conversation about France and the World Cup, I’m sure that throwaway moment meant nothing. It certainly wasn’t as visually powerful as seeing the wall separating families come tumbling down during Logic’s performance with immigration leaders, and their children wearing shirts that said “We are all human beings.” Logic himself sported a shirt saying “F*** the wall.” It also wasn’t as off-putting as watching Madonna spend the majority of her tribute to Aretha Franklin talking about herself.

But to those of us who understood why he took the time to claim his nationality while celebrating the World Cup victory, it too was a defining moment of a politically charged night. Willy William didn’t strangle us with an overwrought acceptance speech, drown us in self-importance, or sport a T-shirt with a slogan.

He simply said “I am French” and gloated about the soccer tournament, allowing viewers to debate their own politics in their own heads.

None of which is meant to throw shade at the entertainers who decided to do something more overt or take away from the fact that “Mi Gente” is a really good song with a cool video. Yet, at the end of the day, what Willy Williams’ moment did was highlight the unifying power of music. It spotlighted a black Frenchman accepting a Latin video award for a Spanish song title that translates into “my people,” and dared the closed-minded to debate exactly which “people” he is referring to.

As for those of us with more of an open mind, we’ve always known the answer: it’s all of us.

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Spike Lee says he hopes his new film, ‘BlacKkKlansman,’ makes Donald Trump a one-term President

07 AUG 18 17:58 ET

(CNN) — Spike Lee hopes his new movie, “BlacKkKlansman,” inspires Americans not to vote President Donald Trump into office for a second term.

“I hope that (viewers would) be motivated to register to vote. The midterms are coming up, then this guy in the White House is going to run again, and what we’re going through is demonstrated, I think, is full evidence (of) what happens when you don’t vote, when you don’t take part in the process,” Lee told CNN recently.

“I know a lot of people who say, ‘F politics, they’re all crooks, whatever.’ But to me, that says, ‘defeatist attitude,'” he said, “and we just have to be smarter on who we vote.”

Lee’s latest film, which opens Friday in theaters, tells the true story of Ron Stallworth, the first African-American detective in the Colorado Springs police force in the 1970s. It chronicles how Stallworth, played by John David Washington, manages to infiltrate the Ku Klux Klan.

Lee’s film credits over three decades include other movies that have tackled US race relations — “Do the Right Thing,” “Malcolm X,” “Jungle Fever,” “Bamboozled.” He said he believes racism is just as prevalent in 2018 as it was when he started making movies — and only getting worse.

Related: Don’t tell ‘BlacKkKlansman’s’ John David Washington he’s code-switching

“The rise of (racism) right here in the United States, specifically, is direct reaction to eight years of President Barack Obama,” Lee told CNN. “It’s two step forward, one step back … The reason why I feel that race is still a big discussion in this country (is) because we’ve never really honestly dealt with slavery.

“Once we start having an honest discussion on slavery, then we can move forward,” he said. “We’ve never really had an honest discussion about the foundation of this country. I know people might not like this, but this is the truth.

“The United States of America, the foundation of the country, is built upon genocide of native people and slavery. That’s a fact,” Lee said. “The founding fathers owned slaves. Unless we deal with those truths, it’s not going to matter. This country was upon the genocide of native people and slavery. That’s the backbone.”

Lee, who refuses to say Trump’s name and instead refers to him as “Agent Orange,” has a strong message for the President and his supporters at the end of the film: He features clips of Trump alongside footage of last year’s violent protests in Charlottesville, Virginia.

Still, Lee hopes Trump sees the film.

“‘Birth of a Nation’ was shown in the White House,” Lee said, referring to the controversial Civil War movie released in 1915. “Many films. They have a screening room in the White House. I would love ‘Agent Orange’ and David Duke (a former Grand Wizard of the Ku Klux Klan) to see this film in the White House. I’m not coming, but they’re in it, they should see the film.”

Above all, Lee hopes his films serve as “time capsules” for future generations.

“I’m starting my fourth decade of films, and my work, after I’m long and gone, will be seen forever,” he said. “I’m very proud of my work. I work very hard, you know, working my craft, honing my craft, and I think that my film, some of my films, could be used as time capsules to see what was happening.

“What was happening in 1989? What was happening? Oh, let’s watch ‘Do the Right Thing.’ In 1992, oh, what was happening? Oh, let’s watch ‘Malcolm X.’ 2018 … when I’m not even here, they’re still going to be looking (at) ‘BlacKkKlansman’ and (will) use this film to show what was happening in America.”

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What Android Pie Means for the Future of Smartphones

07 AUG 18 20:23 ET

(CNN Money) — Android Pie, the latest version of Google’s mobile operating system, is stuffed with features that address some of the hottest tech controversies head-on, including smartphone addiction and privacy. It also has some changes that could create a little drama, like the missing back button.

Google released Pie — the name follows the company’s penchant for naming its mobile OS after deserts — on Monday. It offers some significant improvements over Oreo, and anyone with a Pixel phone can start enjoying them today. Everyone else will have to wait a few weeks or even months.

The ninth iteration of the world’s most popular phone operating system provides a glimpse at the future of phones. Here’s how.

Using a smartphone less is good for smartphone makers

The hottest smartphone trend this year is using your smartphone less. This year, Google and Apple acknowledged that consumers’ infatuation with their phones is a growing problem and introduced some helpful features to address the issue.

Google announced its “Digital Wellbeing” tools at the I/O developer conference in May, and is rolling them out in the Pie beta for Pixel users now. They include a dashboard that shows you exactly how bad your problem is by listing how many minutes (ok, hours) you’ve spent in each app. There is also a timer that grays out apps after a set amount of time in an attempt to cut down on usage, and a “Wind Down” feature for transitioning from phone time to bed time with a grayed-out screen.

Social media and news aren’t the only things keeping us glued to smartphones. Work is also a culprit, and Android Pie offers some help there, too. Android phones already let you create separate work and personal profiles on one device; Pie adds a switch to disable work mode, like turning off your office light when you finally leave at 6 pm.

Andrew Hewitt, an analyst at Forrester, says that feature could help Android expand further into the business world, where companies are reconsidering their go-go-go mentality that often expects employees to be available 24/7.

Batteries aren’t getting much better, yet

Android P features some clever software fixes to help extend battery life. It determines which apps you use most and allocates more juice for them. The screen also adjusts brightness automatically.

Hardware makers rely increasingly upon software fixes to address battery shortcomings and meet consumer demands. The most notable example was Apple’s botched throttling feature last year that slowed down some phones with low batteries to prevent them from suddenly shutting down. Although we’ve seen some improvements to batteries, they’re typically matched by increased processor demands from features like augmented reality and geolocation running in the background, said IDC mobile phone analyst William Stofega.

“When you look at the race between computer power that’s on these phones versus the stored-power part of it, [batteries] are way behind,” said Stofega.

Software and AI fixes aren’t necessarily the solution to the battery problem. They are a bridge to help equipment manufacturers make it until real innovation can produce better batteries, Hewitt said.

Everyone is worried about privacy

Between Europe’s expansive new privacy regulations and Facebook’s struggles with customer privacy issues, 2018 was the year consumers became painfully aware of their privacy (or lack thereof) online.

Apple has long played up its stricter approaches to consumer privacy through features like on-device processing of photos, and now Google is adding additional protections to Android Pie. Many are under the hood, like a permissions change that will require app developers to get specific permission to access your call logs. The new operating system also will restrict access to sensitive sensors like your microphone and camera while an app is running in the background.

Hewitt thinks the privacy changes, like the Digital Wellbeing features, could help expand Android’s appeal to corporate and enterprise customers.

Buttons are dying

Voice and gesture controls are infiltrating smartphone design, thanks to improvements in technology like natural language processing. Android Pie has removed some buttons and replaced them with a gesture-based system — a combination of swipes and scrolls to dance around the interface.

Some users will surely lament the loss of a back button. But change is hard, and advances in technology mean buttons are no longer the only way to get around phones. Voice is also taking over some basic functions, and make the devices more adaptable to different situations such as driving.

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Interview with David Williams

Jerry Maynard, publisher of Nashville Voice, sat down with David Williams, Vice Chancellor, Athletics Director at Vanderbilt University. 

In a candid interview, Williams discusses a number of topics, including his career highlights, his dedication to his community, philosophies on success, his upbringing, a look back over his time at Vanderbilt and why he feels it is time for him to move on. 

https://youtu.be/Q_J8dQCqBWU